Over 2 days a series of performances will take place in Infinity Palace, a mirror installation in outLINE by Mischa Rakier, in which the experience of the space, mirroring and reflecting, will be the central focus.
Saturday 3rd of September, 17.00, 18.00 and 19.00 hrs
Performance lasts 20 minutes; maximum of 15 participants per performance, for reservation please email info@outlineamsterdam.nl
Encounter
Concept and staging: Pablo Fontdevila and Maria Noel Dourron
Performance: Pablo Fontdevila. Produced by PF&MTH
The audience is being invited to enter a small cubicle in the middle of the space. Inside they experience a brief but intense encounter. Exiting the cubicle on the other side, the visitors witness each other while constructing their personal account of a shared experience.
Sunday 4th of September, starts 15.00 hrs
Each performance lasts between 15 and 30 minutes.
Space Called Newspaper, Edward Janssen
In the reflecting space, the windows of which will be covered with newspapers, thus turning the gaze inward, the performer mirrors himself towards the audience in a stream of consciousness in which the newspaper functions as a filter or lens, in which stories are mixed without sense of hierarchy.
Soi-même comme un autre, Danielle van Vree
In this performance in which fiction and reality become confused the spectator while facing the mirrored wall is made aware of himself, the other, the performer and the significance of his presence which is experienced indirectly via the mirroring image.
Opera deel 2, Anet van de Elzen
A solo performance in which the mirroring space is being investigated through voice and body, breath and silence, air and sound while distracting sounds from the mirrored walls which hold the tremor of the voice.
Binnenstebuiten, Aktie Slapen
Aktie Slapen, an initiative of film-and theater maker Lee Ellickson, is a performative project designed for urban locations in which daily events are staged as a means to investigate and respond to the singular conditions of unique spaces such as this one.
De punt, het oneindige niets, Anno Dijkstra
This performance in which a wooden box seemingly moves by itself through the space while leaving behind it traces of earth, plays with the contradiction between the endless and airy character of the mirrored space and the materiality and weight of the earth.
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